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Arash tries to kiss her, but he gets rejected and she dances with somebody else. The film's protagonist, The Girl, is a sort-of antihero vigilante with a taste for bad men. As a vampire, she is able to roam the streets at night without being concerned for her safety, subverting the implications of the film's title.
A notable scene is of her in the bathtub. This scene hardly holds any narrative purpose. Instead, its significance lies in bringing the film into conversation with a canonical Western text, serving as a reminder for the audience of the classic vampire figure Dracula.
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They meet the next night, and she says that he does not know the terrible things she has done. He is unfazed, gives her the earrings and – at her request – pierces her ears with a safety pin, but she eventually leaves. The film is directed and imagined by Amirpour with cinematography by Lyle Vincent. Its style is clearly inspired by spaghetti Westerns like those of Sergio Leone, featuring a mysterious, lone, antihero with a vigilante streak. However, the genre is reimagined with a female lead, and is a hybrid spaghetti Western-vampire film. As a vampire film it serves as an homage to its legacy of predecessors especially the 1922 German Expressionist film Nosferatu.
Hossein sees the Girl and thinks about approaching her. They start walking in the same direction. He thinks of approaching her, but decides to press on. She mimics him, moving an arm, walking and stopping alongside him. Hossein gets scared about it and finally runs away. If you have a disability and experience difficulty accessing this content, please call the Accessibility Manager at 688–3890 or email
Storyline
It is young Arash, , an Iranian young man. On his way back to his car, he is bothered by a begging kid . He is despondent and leaves, claiming to have no money. She has also said that "every piece of the story, every character, every costume, every bit of music" is something that she "love to the point of obsession."
As she leaves, she passes by Arash, who has come to offer the earrings for his car. He finds Saeed dead, and takes back his car keys along with a suitcase of drugs and cash. Arash decides to sell the drugs, allowing him to quit his job working for Shaydah. Later, he goes to a costume party at a night club dressed up as Dracula, where he is persuaded by Shaydah into taking one of the ecstasy pills he is selling.
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Arash and the woman drive off together but he pulls off to the side of the road, angry and undecided about what to do. He eventually gets back in the car and the two continue their trip onwards. A Girl Walks Home Alone at Night takes place in "the Iranian ghost-town Bad City" and depicts the doings of "a lonesome vampire".
A Girl Walks Home Alone At Night is absolutely one of those movies that is doing its own thing. In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire. The Girl was passing down and she feels that they are both going to overdose, probably because Masuka is watching everything.She jumps in from outside the window and pushes Hossein away from Atti. Atti and the cat see as the Girl feeds on Hossein. Atti doesn't look particularly terrified.She helps the Girl to get rid of the body.
The visual signifier of the chador interrupts the American and Western world of the film. The Girl , with her vampiric teeth and supernatural powers, subverts the image of the veiled woman as submissive, turning the victimhood suggested by the film’s title on its head. This girl walks alone at night with no fear; she is the one to be feared—a fact the viewer learns along with her first victim. I get tired of so many movies following the same formula, whether it's an horror movie or a comedy and everything in between. Now and again a movie just pops up that's a bit different from the usual selection.
The film opens with a scene of a vast wasteland, Bad City, populated with oil drilling machines and a palpable sense of being a quasi ghost town. Here, Arash a lonely teenager with a drug addicted father who consistently owes money to a dealer, tries his best to make a living working as a gardener for a rich family. Unknown to him, the city is inhabited by a lonely young vampire whose name we never learn. She acts as a sort of vigilante, choosing to feed from those who she considers "bad", killing them without mercy. When one night she runs into Arash, she will finally know the possibilities that love offers, and that even in Bad City, shines a small glimmer of hope. The acting was pretty good with the main actress being particularly good and creepy.
He uses the opportunity to retrieve his car keys. In a attache he finds cocaine and a gun. The film was adapted into a six part graphic novel series published by Radco in 2014. The series explores The Girl's backstory with art from Michael DeWeese. Amirpour has stated that graphic novels are a major source of inspiration for her. The visual language of the film is not unlike that of a comic book, with its "high-contrast monochrome aesthetic".
She wants to leave but he puts himself on her way. She seems to ponder what to do or say next, but just leaves. An Iranian Vampire Western, shot in black&white and with a killer soundtrack... It's a love story about two tortured souls in a desolate Iranian Ghost-town called 'Bad City', where a lonely vampire is stalking the towns most depraved denizens. The woman with the chador spends her time listening to music alone in her apartment, skateboarding, or bedeviling pedestrians at night, until she comes across the lost Arash. He shows vulnerability and compassion, and she takes him to her home, where they listen to music, and she resists his exposed neck.
They have a conversation during which the woman realizes that Atti no longer remembers what it is to desire. Promoted as "The first Iranian vampire Western", it stars Sheila Vand, Arash Marandi, Mozhan Marnò, Marshall Manesh, and Dominic Rains. It was financed in part by a crowdfunding campaign on Indiegogo. With The Girl, too, Amirpour makes clear references to European culture and cinema.
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